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La Boheme: New Props for an Enhanced Revival

Posted on: May 15th, 2012 by Margie Schnibbe No Comments

 
1890 Peugeot Replica
For this remount of our signature production of La Boheme, there was a desire to bring the props and set dressing into the appropriate period of the 1890s. The car was built as a replica of an 1890 Peugeot two-seater. This would have been faithful to the vehicle available in Paris at that time. Months of research, design, engineering and hundreds of hours of fabrication were required for this prop to come to life.
 

Los Angeles Opera Technical Dept La Boheme

Replica of 1890 Peugeot two seat automobile


 
Los Angeles Opera La Boheme

The Peugeot in the production


 
Fake Fish
Although we do have a variety of fake fish in our prop inventory, a higher level of realism was required for the “Fish Seller’s” buckets. We experimented with different casting formulations and paint treatments to get a more realistic appearance.
 
Los Angeles Opera La Boheme props

Fake Fish dry on racks after painting


 
Confetti Drop
A confetti drop was added to create a greater spectacle as the cast marches with French flags. One hundred and fifteen pounds of confetti was purchased for the run of the production. A “sling” is tied between two pipes above the stage and on cue the “sling” is rolled back and forth and the confetti spills though slits in the fabric.
 

Abundant confetti falls on the Banda (Opera name for orchestral musicians onstage/backstage), chorus and supers for the finale of Act II


 
Bicycles
In keeping with the attention to period, the production desired bicycles that appear to be from the 1890s. For this reason and for ease of use with elaborate staging, we created “stylized” versions of 1890s bicycles.
 
La Boheme props

Two new stylized bicycles were added to La Boheme


 
For safety and staging purposes, coaster brakes were utilized that do not require the pedals to rotate while turning corners. The foot operation of the brakes leaves the performers hands free for props and actions.
 
La Boheme Los Angeles Opera

Singer rides new bicycle in the last act of La Boheme


 

Posted in Behind The ScenesNo Comments » |

And The Winner Is… Janai Brugger and the National Council Finals

Posted on: May 11th, 2012 by Shannita No Comments

 

by Gail Eichenthal, KUSC

 

My name is Gail Eichenthal and I am a Metropolitan Opera Western Region auditions junkie.

 

Perhaps, given KUSC’s close involvement in broadcasting the finals concert each year, this was inevitable. My great late friend and former colleague Gene Parrish had forged a wonderful bond with the organization and its remarkably talented contestants going back more than 20 years.  Rich Capparela has effortlessly (well, it’s actually quite challenging work!) taken over for the past three years, and our association with the Western Region has only grown closer; they even honored KUSC at the 2011 Finals Concert in the fall. On top of that, I’m a lifelong choral singer and the proud (stage) mom of a fledgling baritone studying voice in college.

 

Still that warm Saturday afternoon of October 22 was more thrilling than usual, even for an admitted Western Region groupie.  I had previously heard some of the phenomenally gifted singers the year before; they had also made it to the 2010 Finals. One of them, a brilliant L.A. soprano and alumnus of the Merola program, had stolen the show at the USC Thornton School’s glittering Charles Dickens Dinner, its grand yearly Christmas benefit at the Biltmore’s Crystal Room: you know who you are, Marina Boudart Harris.

 

As always, all the singers were exquisitely polished and professional; none exhibited the slightest sign of the tremendous pressure they no doubt felt. It was beginning to seem an impossible task for the judges to eliminate even one of these gifted artists from contention. Then, as the invincible longtime Western Region leader Molly Siefert put it later that day, the contestants ran into “a buzzsaw”, a beautiful beaming buzzsaw named Janai Brugger. The soprano, originally from Illinois, broke hearts, pulled tears, provoked gasps, and, well— won.  Her sheer unmitigated joy in singing was infectious. Her pure, soaring tones, almost defied belief.

 

To none of our surprise, but to all of our delight, she went on to the National Metropolitan Opera Finals this past March. (Go Western Region! Baritone Joseph Lim, another Thornton alum, won the year before, as well!) The 2012 National Met Finals concert airs tomorrow at 10am on Classical KUSC.  Don’t miss it! As for me? I’ve been waiting by the radio for days.

 

P.S. Please cry no tears for Marina Harris, one of the buzzsaw-afflicted! The Thornton alum has landed a coveted spot in the San Francisco Opera’s prestigious Adler Fellows program. And if my stage mom instincts are right, hers is also a name you will soon come to know on the KUSC airwaves, as both her voice and her major career take flight.)

 

P.P.S.  Catch soprano Janai Brugger, an LA Opera Domingo-Thornton Young Artist, currently singing the role of Musetta at several performances of the company’s current production of Puccini’s La Boheme. She carried us away at the dress rehearsal, and will do the same tomorrow (May 12) evening and on Sunday, May 20 at 2pm. The May 20 performance of Boheme, conducted by Patrick Summers, will be broadcast live by KUSC, a special edition of LA Opera on Air.

 

Janai Brugger
Soprano (Darien, IL. Winner of the Western Region)
Age 29

 

Janai Brugger

 

Janai Brugger is a second-year artist with Los Angeles Opera’s Domingo-Thornton Young Artist Program. This season’s highlights include Musetta in La Bohème with the Los Angeles Opera, Juliette in Roméo et Juliette for her debut with the Palm Beach Opera, and the First Lady in Die Zauberflöte at the Ravinia Festival with the Chicago Symphony Orchestra. Last season she appeared in Los Angeles as Barbarina in Le Nozze di Figaro and the Page in Rigoletto. She holds a bachelor’s degree from De Paul University and recently received her master’s degree from the University of Michigan (where she sang Tatiana in Eugene Onegin).

 

In 2009 she sang Adina in L’Elisir d’Amore with the Lyric Opera of Chicago in the “Opera in the Neighborhoods” Program and the following year joined the San Francisco Opera’s Merola Opera Program. She was a 2011 finalist in the Loren Zachary Competition and a Midwest Regional (Detroit district) winner of the 2008 Met National Council Auditions.

 

Posted in News, PerformancesNo Comments » | Tags: La Boheme, Young Artists

Announcing General Auditions for Education & Community Programs Department

Posted on: May 8th, 2012 by Jennifer Babcock No Comments

 

CALLING ALL OPERA SINGERS!

LA Opera’s Education & Community Programs Department is holding general auditions Thursday, May 31, 2012 and Friday, June 1, 2012 each day from 10:00 a.m. to 4:00 p.m.

 

We are seeking soloists for our acclaimed outreach programs.  Programs include in-school opera residencies, touring community recitals/demonstration tours as-well-as school assemblies.

 

 

Artists should be prepared to sing at least two contrasting arias and one musical theater selection (in English). We are looking for personality so be sure to pick songs that showcase you best.

 

To request an appointment, please send a resume and headshot (Snail Mail) to:

 

Jennifer Babcock, Associate Director of Education & Community Programs
Los Angeles Opera
135 North Grand Avenue
Los Angeles, CA 90012

or by e-mail (Go Green!) to: educom@laopera.com

 

 

Those accepted will be called to schedule an audition appointment. Please note that artists must be current members of AGMA (American Guild of Musical Artists) or willing to join AGMA in order to accept a role, if offered.

 

This is an audition notice. Applicants must be 18 years of age. If employment is offered, the offer is contingent upon artists providing documents to demonstrate eligibility to work in the United States.

 

Posted in UncategorizedNo Comments » |
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